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English Opening
A10-A39 (+C20)
English Opening
175 named lines in this family, ECO
A10-A39 (+C20).
Under each line you get its moves and the sentences it adds that
this page has not already printed; sixty
lines to a page. A line's own page carries up to its
first 4 per-move notes in full.
1. c4 Nf6 2. Nc3
c4 fights for d5 without committing the centre pawns: White often fianchettoes and plays a reversed Sicilian with an extra tempo.
1. c4
Fights for d5 from the flank - contesting the centre without committing a centre pawn. Theory calls this the English Opening.
1... Nf6
Develops the knight to f6, eyeing d5 and e4. Theory calls this the Anglo-Indian Defense.
2. Nc3
Develops the knight to c3, eyeing d5 and e4.
1. c4 Nf6 2. Nc3 d5
2... d5
Stakes a claim in the centre, controlling e4, and frees the bishop and queen. Theory calls this the Anglo-Grünfeld Defense.
1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 4. Nf3
An early pawn trade leaves the c-file as White's avenue and the d-file as Black's - both sides get real winning chances down their own file.
1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 4. Nf3 g6
1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 4. g3 g6 5. Bg2 Nb6
White's kingside bishop takes the long diagonal.
1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 4. g3 g6 5. Bg2 Nxc3
1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 4. Nf3 g6 5. g3 Bg7 6. Bg2 e5
White's kingside bishop takes the long diagonal and Black's kingside bishop takes the long diagonal.
1. c4 Nf6 2. Nc3 e6
2... e6
Supports the centre, adding control of d5. Theory calls this the Hedgehog System.
1. c4 Nf6 2. Nc3 e6 3. Nf3 Bb4
1. c4 e6 2. Nc3 Nf6 3. Nf3 b6
1... e6
Theory calls this the Agincourt Defense.
1. c4 e6 2. Nc3 Nf6 3. Nf3 Bb4 4. g4
1. c4 e6 2. Nc3 Nf6 3. Nf3 b6 4. e4 Bb7 5. Bd3
Black's queenside bishop takes the long diagonal.
1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 4. Nf3 c5 5. e3 e6
1. c4 e6 2. Nc3 Nf6 3. e4
1. c4 e6 2. Nc3 Nf6 3. e4 Nc6
1. c4 e6 2. Nc3 Nf6 3. e4 d5 4. e5
1. c4 e6 2. Nc3 Nf6 3. e4 c5
1. c4 e6 2. Nc3 Nf6 3. e4 c5 4. e5 Ng8
1. c4 e5
1... e5
Stakes a claim in the centre, controlling d4, and frees the bishop and queen. Theory calls this the King's English Variation.
1. c4 e5 2. Nf3
2. Nf3
Develops the knight to f3, eyeing d4 and e5. Theory calls this the Nimzowitsch Variation.
1. c4 e5 2. g3 h5
2. g3
Prepares the fianchetto: the bishop will take the long diagonal via g2.
2... h5
A useful waiting move that grabs space on the h-file. Theory calls this the Drill Variation.
1. c4 e5 2. Nf3 e4
2... e4
Puts the question to the knight on f3 - retreat, trade, or be taken. Theory calls this the Nimzowitsch-Flohr Variation.
1. c4 e5 2. e3 Nf6 3. f4 exf4 4. Nf3
An early pawn trade leaves the e-file as Black's avenue and the f-file as White's - both sides get real winning chances down their own file. Black keeps the extra pawn; White plays for time, open lines, and initiative - the classic gambit trade.
2. e3
Supports the centre, adding control of d4.
1. c4 e5 2. Nc3
2. Nc3
Theory calls this the Reversed Sicilian.
1. c4 e5 2. Nc3 Bb4
2... Bb4
Develops the bishop with tempo - it attacks the knight on c3. Theory calls this the Kramnik-Shirov Counterattack.
1. c4 e5 2. Nc3 d6 3. Nf3
2... d6
Supports the centre, adding control of e5.
1. c4 e5 2. Nc3 d6 3. g3 c6
1. c4 e5 2. Nc3 d6 3. Nf3 Bg4
1. c4 e5 2. Nc3 Nc6 3. g3 d6 4. Bg2 Be6
2... Nc6
Develops the knight to c6, eyeing d4 and e5. It also props up the e5 pawn. Theory calls this the Reversed Closed Sicilian.
1. c4 e5 2. Nc3 Nf6
2... Nf6
Theory calls this the Two Knights Variation.
1. c4 e5 2. Nc3 Nf6 3. g3
1. c4 e5 2. Nc3 Nf6 3. f4
1. c4 e5 2. Nc3 Nf6 3. g3 d5
1. c4 e5 2. Nc3 Nf6 3. g3 Bb4
1. c4 e5 2. Nc3 Nf6 3. Nf3 e4 4. Ng5 c6
1. c4 e5 2. Nc3 Nf6 3. Nf3 e4 4. Ng5 b5
1. c4 e5 2. Nc3 Nf6 3. Nf3 e4 4. Ng5 Ng4
1. c4 e5 2. Nc3 Nf6 3. g3 c6
1. c4 e5 2. Nc3 Nf6 3. g3 Bc5 4. Bg2 c6
1. c4 e5 2. Nc3 Nf6 3. g3 g6
1. c4 e5 2. Nc3 Nc6
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. d3
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. Rb1
1. c4 e5 2. g3 Nf6 3. Bg2 Nc6 4. Nc3 Bb4 5. Nd5
White's pawn on d2 is pinned against the king.
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Rb1 Nh6 5. Bg2 Bg7
1. c4 e5 2. g3 Nf6 3. Bg2 Nc6 4. Nc3 Bb4 5. e4 d6 6. Nge2
1. c4 e5 2. Nc3 Nf6 3. g3 Bb4 4. e4 O-O 5. Nge2 Nc6 6. Bg2
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. e3 d6 6. Nge2 Nh6
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. e3 d6 6. Nge2 Be6
1. c4 e5 2. g3 Nf6 3. Bg2 Nc6 4. Nc3 Bb4 5. e4 d6 6. Nge2 Bg4
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. d3 d6
1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. d3 d6 6. e4
1. c4 e5 2. Nc3 Nc6 3. Nf3
1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6
1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6 4. e4
1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6 4. d3
1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6 4. a3
1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6 4. e3
1. c4 e5 2. Nc3 Nf6 3. Nf3 Nc6 4. d4 e4
Lines 61–120 of 175 — page 2 of
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