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Nimzo-Larsen Attack
A01-A06
Nimzo-Larsen Attack
18 named lines in this family, ECO
A01-A06.
Under each line you get its moves and the sentences it adds that
this page has not already printed. A line's own page carries up to its
first 4 per-move notes in full.
1. b3
No pawn stands on d4, e4, d5 or e5 - this line is played with the centre squares empty.
1. b3
Prepares the fianchetto: the bishop will take the long diagonal via b2. Theory calls this the Nimzo-Larsen Attack.
1. b3 d5
In the centre, Black holds d5.
1... d5
Stakes a claim in the centre, controlling e4, and frees the bishop and queen. Theory calls this the Classical Variation.
1. b3 f5
1... f5
Fights for e4 from the flank - contesting the centre without committing a centre pawn. Theory calls this the Dutch Variation.
1. b3 c5
1... c5
Fights for d4 from the flank - contesting the centre without committing a centre pawn. Theory calls this the English Variation.
1. b3 Nf6
1... Nf6
Develops the knight to f6, eyeing d5 and e4. Theory calls this the Indian Variation.
1. b3 e5
In the centre, Black holds e5.
1... e5
Stakes a claim in the centre, controlling d4, and frees the bishop and queen.
1. b3 b5
1... b5
Opens the c8-a6 diagonal for the bishop. Theory calls this the Polish Variation.
1. b3 b6
1... b6
Prepares the fianchetto: the bishop will take the long diagonal via b7. Theory calls this the Symmetrical Variation.
1. b3 d5 2. Ba3
2. Ba3
Develops the bishop to a3, hitting the pawn on e7. Theory calls this the Graz Attack.
1. b3 e5 2. Bb2 Nc6
White's queenside bishop takes the long diagonal.
2. Bb2
Fianchettoes the bishop onto the long diagonal, pressuring d4 and e5 from a distance.
2... Nc6
Develops the knight to c6, eyeing d4 and e5. It also props up the e5 pawn.
1. b3 e5 2. Bb2 Nc6 3. e3
1. b3 e5 2. Bb2 Nc6 3. f4
1. b3 f5 2. Bb2 e6 3. e4
2... e6
Supports the centre, adding control of d5.
1. b3 Nf6 2. Bb2 g6 3. g4
2... g6
Prepares the fianchetto: the bishop will take the long diagonal via g7.
1. b3 e5 2. Bb2 Nc6 3. c4 Nf6
1. Nf3 d5 2. b3
1. Nf3
Develops the knight to f3, eyeing d4 and e5. Theory calls this the Zukertort Opening.
1. Nf3 d5 2. b3 c5 3. e4
The pawns on d5 and e4 stand in direct tension - the first player to resolve it chooses the structure.
1. Nf3 d5 2. b3 Nf6 3. Bb2 c5 4. e4
2... Nf6
It also props up the d5 pawn.
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