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Semi-Slav Defense
D30-D49
Semi-Slav Defense
69 named lines in this family, ECO
D30-D49.
Under each line you get its moves and the sentences it adds that
this page has not already printed; sixty
lines to a page. A line's own page carries up to its
first 4 per-move notes in full.
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. e3 e6 5. Nbd2
...e6 plus ...c6 holds d5 twice and threatens to take on c4 and keep it with ...b5 - solid structure with real sharpness underneath.
1. d4
Stakes a claim in the centre, controlling e5, and frees the bishop and queen.
1... d5
Stakes a claim in the centre, controlling e4, and frees the bishop and queen.
2. c4
Challenges the pawn on d5 - the central tension has to resolve. The pawn is genuinely on offer - this is the Queen's Gambit: development and initiative over material.
2... c6
Fights for d5 from the flank - contesting the centre without committing a centre pawn. Theory calls this the Slav Defense.
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. e3 e6 5. Nbd2 Nbd7
1. d4 d5 2. c4 e6 3. Nc3 c6
2... e6
Supports the centre, adding control of d5. Theory calls this the Queen's Gambit Declined.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e4
The pawns on d5 and e4 stand in direct tension - the first player to resolve it chooses the structure.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e3 f5
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 dxc4
An early pawn trade leaves the c-file as White's avenue and the d-file as Black's - both sides get real winning chances down their own file. Black comes out ahead on material - White needs concrete play to justify it.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e3 f5 5. g4
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e4 dxe4 5. f3
An early pawn trade leaves the d-file as Black's avenue and the e-file as White's - both sides get real winning chances down their own file. Black keeps the extra pawn; White plays for time, open lines, and initiative - the classic gambit trade.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 dxc4 5. g3
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 dxc4 5. Bg5
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 dxc4 5. Bg5 f6
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e4 dxe4 5. Nxe4 Bb4+ 6. Nc3
White's knight on c3 is pinned against the king.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e4 dxe4 5. Nxe4 Bb4+ 6. Bd2
White's bishop on d2 is pinned against the king.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 dxc4 5. a4 Bb4 6. e3 Bxc3+ 7. bxc3 b5 8. axb5 cxb5
White comes out of the line with the bishop pair.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. e4 dxe4 5. Nxe4 Bb4+ 6. Bd2 Qxd4 7. Bxb4 Qxe4+ 8. Be2 c5 9. Bxc5 Qxg2
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 h6 6. Bh4
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 h6 6. Bxf6 Qxf6
Black comes out of the line with the bishop pair.
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 h6 6. Bxf6 Qxf6 7. Qb3
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 dxc4 6. e4
Both sides burn the boats: White gives structure for a huge centre and attack, Black grabs queenside pawns and runs - one of the sharpest lines in chess.
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 dxc4 6. e4 b5 7. e5 h6 8. Bh4 g5 9. Nxg5
1. d4 Nf6 2. c4 e6 3. Nf3 d5 4. Nc3 c6 5. Bg5 dxc4 6. e4 b5 7. e5 h6 8. Bh4 g5 9. Nxg5 Nd5
1... Nf6
Develops the knight to f6, eyeing d5 and e4.
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 dxc4 6. e4 b5 7. e5 h6 8. Bh4 g5 9. exf6 gxh4 10. Ne5
White has doubled pawns on the f-file.
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. Bg5 dxc4 6. e4 b5 7. e5 h6 8. Bh4 g5 9. Nxg5 hxg5 10. Bxg5 Nbd7 11. g3
1. d4 Nf6 2. c4 e6 3. Nf3 d5 4. Nc3 c6 5. Bg5 dxc4 6. e4 b5 7. e5 h6 8. Bh4 g5 9. Nxg5 hxg5 10. Bxg5 Nbd7 11. Qf3
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 a6
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 Nf6 5. e3 Nbd7 6. Ne5
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2
1. d4 d5 2. Nf3 Nf6 3. c4 c6 4. Nc3 e6 5. e3 Ne4 6. Bd3 f5
2. Nf3
Develops the knight to f3, eyeing d4 and e5. It also props up the d4 pawn. Theory calls this the Zukertort Variation.
2... Nf6
It also props up the d5 pawn. Theory calls this the Symmetrical Variation.
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2 b6 7. b3
1. d4 d5 2. Nf3 Nf6 3. c4 c6 4. e3 e6 5. Nc3 Nbd7 6. Qc2 Bd6 7. b3
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. e3 Nbd7 6. Qc2 Bd6 7. e4
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. e3 Nbd7 6. Qc2 Bd6 7. g4
1. Nf3 d5 2. e3 Nf6 3. c4 c6 4. Nc3 e6 5. b3 Bd6 6. Bb2 O-O 7. d4 Nbd7
White's queenside bishop takes the long diagonal.
1. Nf3
Theory calls this the Zukertort Opening.
2. e3
Supports the centre, adding control of d4.
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2 b6 7. b3 Bb7
Black's queenside bishop takes the long diagonal.
1. d4 d5 2. c4 e6 3. Nc3 c6 4. Nf3 Nf6 5. e3 Nbd7 6. b3 Bd6 7. Bb2 O-O 8. Be2
1. d4 d5 2. Nf3 Nf6 3. c4 c6 4. e3 e6 5. Nc3 Nbd7 6. Qc2 Bd6 7. b3 O-O 8. Bb2
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. e3 Nbd7 6. Qc2 Bd6 7. e4 dxe4 8. Nxe4 Nxe4 9. Qxe4 e5 10. dxe5
The structure hands Black the half-open e-file - rook pressure down it is a standing plan. White is up material out of the opening - Black is banking on activity to show for it.
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 Be7
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 Bd6
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 Bb4
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 Bd6 7. Qc2
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. b3 Bd6 7. Bb2 O-O 8. Bd3
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2 b6 7. b3 Bb7 8. Bd3
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2 Bd6 7. b3 O-O 8. Bb2 Re8 9. Bd3
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2 Bd6 7. b3 O-O 8. Bb2 Qe7 9. Bd3
1. d4 d5 2. c4 c6 3. Nf3 e6 4. e3 Nf6 5. Nc3 Bd6 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 Nbd7 9. O-O O-O 10. Qc2
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Qc2 b6 7. b3 Bb7 8. Bd3 Be7 9. O-O O-O 10. Bb2
White's queenside bishop takes the long diagonal and Black's queenside bishop takes the long diagonal.
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 Bd6 9. O-O Bb7 10. a3 O-O 11. Qc2
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5
1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 e6 5. e3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 b4
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 Bb7
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 Bb7 9. e4 b4 10. Na4 c5 11. e5 Nd5
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 Bb7 9. e4 b4 10. Na4 c5 11. e5 Nd5 12. O-O cxd4 13. Nxd4
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 a6
1. d4 d5 2. c4 c6 3. Nc3 Nf6 4. e3 e6 5. Nf3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 a6 9. e4 c5
Lines 1–60 of 69 — page 1 of
2.
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